Showing posts with label Jeremy Kelly. Show all posts
Showing posts with label Jeremy Kelly. Show all posts

Sunday, July 25, 2010

The Farmer's Daughter

He kept her heart in his hands when it wasn’t in the barn, and he made her dance for him when he held it to remind him of what he’d lost.

__________

He liked being a farmer. It was an old trade, an inevitable transition for someone who is endless. You can’t make your way through life with magic alone, after all. Magic was too conspicuous, too unexplainable. Farming was not. Farming was idyllic.

His wife, the last of dozens, eventually left. He forced her out finally, and he sealed any possibility of her return with a binding spell. It was an unfortunate consequence, but a necessary one should the little girl be raised as one who is endless. This was all before the little girl was old enough to remember. So that made it good.

The little girl loved to dance around the farmhouse. It was the only trace of her mother that remained.

He loved her more than the world since the day she was born. They were inseparable.

She was his first – a funny thought, given the fact that he was two centuries old and well able.

He raised her himself. He bore her proud upon his shoulders when they rode into town. She learned her way about the farm at a very young age. She loved her father more than anything else that could possibly exist in her little world.

They were alone together and very happy.

__________


Inevitably, she turned fourteen.

And she met a boy.

She told him that she had fallen in love. He told her that, in time, she would come to find the notion of love ridiculous. Their kind did not fall in love with strangers.

She told him that she did not believe in being endless. There was only now. He forbade her from such blasphemy.

She stopped talking to him about the boy.

Life went on, but quieter. There was no more music. She told him that she had forgotten how to dance.

She didn’t sit with him on the porch in the late afternoons as she had always done. She grew nervous around him at the supper table. He sensed that she had begun to wander away in her soul.

__________


One morning, he woke early to bail the hay.

He found them in the barn. He found her naked with straw in her hair, curled up fast asleep in the arms of the boy that she thought she loved.

He snapped and before he knew it, a good bit of his old self made things known within the world again.

He snapped his fingers and her heart exploded from her chest into his hands before she had time to wake. The boy saw the blood pour from the wound in her breast and screamed like a little boy does until he made a sign in the air and closed the boy’s throat from the inside. He lifted the boy from the ground and threw him so hard that it sent him through the roof into the sky so far up that the boy’s people never found the body.

The girl eventually opened her eyes. They were milky white and sightless. She stared after her own beating heart in his hands, and she followed it stumbling back into the house.

Inside the house he wept for her. He sat in his chair in the dark before dawn and whispered for her to dance and she did, twirling naked around him through the shadows, the gaping hole in her chest empty and throbbing black blood, until the sun began to rise and he felt like things were right again.

In the early hours, he locked her and her heart in separate corners of the barn and went about his chores.

When the sun fell, so did his heart, so he drew hers out again. She followed.
Things went on this way for many, many nights, until he eventually died of a broken heart. She took her heart back from him but the damage was done, so she held it in her hands and she stumbled as she wandered away from him for the last time.

She met a violent end, finally, at the hands of those who do not know magic and are afraid of things they cannot explain—an unfortunate ending to an endless tale.


__________

Jeremy Kelly is a writer who lives in Decatur, Georgia. He's currently writing his first novel. Find out more about him at http://jointhebirdies.blogspot.com/.

Sunday, June 21, 2009

The Ballad of Willy Bragg

by Jeremy Kelly

See that dark-skinned man walking beneath a rust-colored sky beside the Wilderunion Railroad?

That’s Willy Bragg come down from Sasquatch country to lead the way back home with a song.

He’s all dressed up in hobo clothes: a pair of dusty trousers strung up over his shoulders with suspenders cut from plow rope and a ragged old railroader’s hat hanging off the side of his head. He’s got an old guitar case slung across his back.

Listen. He’s singing to himself low and deep, muttering a song he’s been working at while wandering towards the crossroads:

A sad world is the Wilderunion,
Where there’s no such thing as home.
Like there’s no such thing as God or Mama,
Just the rust in my veins and my iron heart.
Please lead this boy back home, Lord.
I hear my mama callin’ me home.

Before he knows it, Willy’s at the crossroads. He looks west out over the tracks and he looks east out into the fields.

There’s a mighty rumbling now and the ground shakes something severe. He’s got to bend over a tad just to keep balance while he holds onto his cap. He looks behind him and sees a great black train coming like a blight upon the land. The face of the engine is a grinning iron skull bellowing thick smoke as it howls like a rabid wolf down the Wilderunion Line.

As the locomotive passes, Willy gets the feeling that if there were any green grass around, it’d surely die with the passing of this train.

The Brethren engineer leans out over the side railing and hollers at Willy while another shovels coal into the blazing firebox. They’re both hulking creatures covered in wicked tattoos.

Behind the engine come all the wood-slatted boxcars. Hundreds of pairs of little hands poke out from between the slats. Willy takes off his hat and bows his head in silence. So many children lost in the dark. Working for the railroad.

The train passes. Willy looks up and sees a man at least nine feet tall, black as soot from head to toe like a walking eclipse upon the world, standing on the other side of the tracks. The man speaks and his voice comes out like the sound of crushing embers inside a giant firebox.

“Hello, Willy.”

“Hey mister.”

“You desire something,” says the night-lacquered man, thick smoke escaping from his lips. “And you have something to give.”

“Well, sir,” Willy says, pulling the guitar case off his shoulder and dropping it into the dirt. “I don’t know if you a bad spirit or a good one. But I been playin’ these blues for a long time. The children trapped here in the Wilderunion—and the rest of us too, I guess—we needs a song. To bring us together. I wanna be the one to play it.”

“Give me your guitar.”

Willy pulls out this old guitar with the words “This Machine Kills Brethren” scrawled into the wood, and he walks towards the Scratch Man, holding it out in front of him.

“I’ll teach you a song, Willy Bragg,” says the Scratch Man. “But hear me now. No matter whom you play for in the world—in the end, your soul belongs to me.” Scratch’s eyes are burning like smoldering coals.

“Alright.”

The Scratch Man takes the guitar from Willy and cocks his head sideways as he tunes the strings. Then he plays a short song that Willy can’t hear.

The Scratch Man hands Willy the instrument and steps onto the railroad tracks. “Go,” Scratch says. “Play your song, Willy Bragg, but don’t forget our deal.”

“I won’t.” Willy feels the blood begin to run hot in his veins down through his fingertips. Words and rhyme begin to fill his mind like sweet honey collapsing into a mason jar surrounded by buzzing bees. As he bends down to put the guitar back in its case, the Scratch Man starts walking down the tracks after the train full of children.

By the time Willy Bragg stands back up, the Scratch Man has disappeared both from sight and memory, and Willy forgets why he ever stopped at the crossroads in the first place.

So he shoulders his old guitar case and heads back the way he came, humming a new tune.

__________


When Jeremy Kelly is not in the backyard digging tunnels and looking for new "specimens", he spends most of the time in the closet writing scary stories. Sometimes his lovely wife and son attempt to slide food under the closet door and plead with him to at least turn on the lights once in a while, but Mr. Kelly knows better. His most recent work appears in Shroud Publishing's Northern Haunts Anthology as well as Malpractice: An Anthology of Bedside Terror from Stygian Publications. He has work forthcoming in Necrotic Tissue's premiere print issue, coming in July. Find out more about him at jointhebirdies.blogspot.com